Klaus Biesenbach. This past August, I visited Marina Abramović at her home in upstate New York, where she was running a workshop with the re-performers of the exhibition Marina Abramović: The Artist Is Present.In a series of five videos that show excerpts of my conversation with the artist, she talks about her work, her exhibition at MoMA, and performance art. In het begin van haar carrière maakte ze vooral gebruik van geluidsexperimenten. Zelfbeschadiging en uitputting zijn kenmerkend voor haar performances.
In her first performance in Edinburgh in 1973, Abramović explored elements of ritual and gesture. Mar 14–May 31, 2010. Since the early 1970s, Marina Abramović has been pushing past perceived limits of the body and mind, and exploring the complex relationship between artist and audience, through performances that challenge both herself and, in many instances, participants emotionally, intellectually, and physically. Abramović: "De meeste mensen ontwijken wat ze als bedreigend of onbekend ervaren. (Please note: Abramović will not perform during MoMA Nights.)
Please The exhibition is accompanied by an illustrated catalogue that includes an audio recording of the artist’s voice guiding the reader through the publication. All performances, one of which involves viewer participation, will take place throughout the entire duration of the exhibition, starting before the Museum opens each day and continuing until after it closes, to allow visitors to experience the timelessness of the works.
Een andere performance, Rhythm 0, eindigde met Abramović die verwond werd door het publiek. https://www.khanacademy.org/.../v/moma-abramovic-what-is-performance-art Na verloop van tijd werden haar performances steeds heftiger.
In het begin van haar carrière maakte ze vooral gebruik van geluidsexperimenten. Making use of twenty knives and two tape recorders, the artist played the Russian game, in which rhythmic knife jabs are aimed between the splayed fingers of one's hand. Works in the exhibition are reperformed by:Maria José Arjona, Brittany Bailey, John Bonafede, Lydia Brawner, Rachel Brennecke (aka Bon Jane), Rebecca Brooks, Isabella Bruno, Alfredo Ferran Calle, Hsiao Chen, Rebecca Davis, Angela Freiberger, Kennis Hawkins, Michael Helland, Igor Josifov, Elana Katz, Cynthia Koppe, Heather Kravas, Gary Lai, Abigail Levine, Jacqueline Lounsbury, Isabelle Lumpkin, Elke Luyten, Alexander Lyle, Justine Lynch, Tom McCauley, Nick Morgan, Andrew Ondrejcak, Juri Onuki, Tony Orrico, Will Rawls, Matthew Rogers, George Emilio Sanchez, Ama Saru, Jill Sigman, Maria S. H. M., David Thomson, Layard Thompson, Amelia Uzategui Bonilla, Deborah Wing-Sproul, Yozmit, and Jeramy Zimmerman.Organized by Klaus Biesenbach, Chief Curator at Large, The Museum of Modern Art, and Director, PS1 Contemporary Art Center.The exhibition is made possible in part by LVMH Moët Hennessy Louis Vuitton Inc.Major support is provided by MoMA’s Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation.Additional generous funding is provided by Maja Oeri and Hans Bodenmann, Agnes Gund, Marie-Josèe and Henry Kravis, Jerry I. Speyer and Katherine G. Farley, David Teiger, and The Junior Associates of The Museum of Modern Art.In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at If you would like to reproduce text from a MoMA publication or moma.org, please email By visiting our website or transacting with us, you agree to this. 1946) with approximately fifty works spanning over four decades of her early interventions and sound pieces, video works, installations, photographs, solo performances, and collaborative performances made with Ulay (Uwe Laysiepen). Een andere performance, Van 1976 tot 1988 heeft ze samengewerkt met de kunstenaar In september 2016 oordeelde een Amsterdamse rechter dat de performancekunstenares ruim 3,5 ton moet betalen aan haar voormalig partner Ulay.
The concepts inspiring her works are key, as is the use of her own body to convey her … A chronological installation of Abramović’s work will be included in The Joan and Preston Robert Tisch Gallery on the sixth floor of the Museum, revealing different modes of representing, documenting, and exhibiting her ephemeral, time-based, and media-based works. This performance retrospective traces the prolific career of Marina Abramović (Yugoslav, b. Essays by Klaus Biesenbach, Arthur C. Danto, Chrissie Iles, Nancy Spector, and Jovana Stokić, 2010
Exhibition. By visiting our website or transacting with us, you agree to this. Marina Abramović (Serbian Cyrillic: Марина Абрамовић, pronounced [marǐːna abrǎːmoʋitɕ]; born November 30, 1946) is a Serbian conceptual and performance artist, philanthropist and art filmmaker. Na verloop van tijd werden haar performances steeds heftiger.
Zelfbeschadiging en uitputting zijn kenmerkend voor haar performances.
Marina Abramović: The Artist Is Present After cutting herself twenty times, she replayed the tape, listened to the sounds, and tried to repeat the same movements, attemptin… In 1974 liep een performance in Galleria Studio Mona uit op een vechtpartij, en werd voortijdig beëindigd. In an endeavor to transmit the presence of the artist and make her historical performances accessible to a larger audience, the exhibition includes the first live re-performances of Abramović’s works by other people ever to be undertaken in a museum setting.
This performance retrospective traces the prolific career of Marina Abramović (Yugoslav, b. Our site uses technology that is not supported by your browser, so it may not work correctly. In 1974 liep een performance in Galleria Studio Mona uit op een vechtpartij, en werd voortijdig beëindigd.